pd essays

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What to Do if Social Security Declares You Dead

What to Do if Social Security Declares You Dead You might arrangements for somebody to take care of your affairs after you die, but what if that â€Å"somebody† ends up being you? What should you do if the Social Security Administration (SSA) prematurely declares you dead? I’m Not Quite Dead Yet It starts with little clues, like when your ATM card no longer access your bank account or your druggist informs you that your health insurance seems to have been cancelled. You actually start to feel like you no longer exist. Then, the next day, a letter from the Social Security Administration confirms your fears by offering its sympathy for your death, informing you that your monthly benefit payments will stop  and that any payments made since your â€Å"death† would be removed from your bank account. Poor, poor dead you. Being incorrectly tagged as dead by Social Security can be devastating. Once SSA decides you are dead, it publishes your full name, Social Security number, birthday and supposed date of death in a publicly-accessible document called the Death Master File. Created to help prevent fraud, like somebody getting a credit card in a dead person’s name, or using dead peoples’ names to get tax refunds, the Death Master File too often exposes living people incorrectly listed on it to identity theft. Most cases of being incorrectly flagged as deceased are due to simple clerical errors, sometimes related to the actual death of close relatives – like spouses – who have the same last names. Sometimes states send incorrect or incomplete death information to SSA, or data entry errors might occur if SSA employees manually input death records.   How Often Does it Happen? How likely are you to be incorrectly listed as dead? According to a 2011 audit report from the Social Security Administration’s inspector general, from May 2007 to April 2010, almost 36,657 living people – 12,219 per year had been incorrectly listed as deceased on the Death Master File. The inspector general further estimated that since the file’s inception in 1980, from 700 to 2,800 people had been incorrectly declared dead every month a total of more than 500,000. Considering that the SSA receives about 2.5 million death records each year from many sources, the error rate is really very low, and when the SSA becomes aware it has posted a death record in error, the agency typically moves quickly to correct the situation.   Maintaining the Death Master File involves a complex, multi-level reporting process, so most cases of being incorrectly flagged as deceased are due to simple clerical errors; sometimes related to the actual deaths of close relatives, like spouses, who have the same last names. How Do You Fix It? It’s easy to prove you are not â€Å"a† dead person, but not so easy to prove you are not â€Å"the† dead person. How do you do it? According to the Social Security Administration (SSA), if you suspect you might have been incorrectly listed as dead on your Social Security record, you should visit – in person your local Social Security office as soon as possible. Most offices allow you to call ahead for an appointment. When you go, make sure to bring at least one of the following pieces of identification with you: Passport;Adoption record;Drivers license;Employee ID card;Military record;School ID card, record or report card;Marriage or divorce record;Health insurance card (except a Medicare card);Certified copy of medical record;Life insurance policy;Court order for name change; orChurch membership that establishes your identity. Important: The SSA stresses that the identification documents you show them must be original documents or copies certified by the agency that issued to them. They will not accept non-certified photocopies or notarized copies. In addition, all identification documents must be current. Expired documents will not be accepted. Finally, the SSA will not accept a receipt showing you applied for a document. Ask for Your ‘Proof of Life’ Letter When and if the correct your records, the SSA can send you a letter that you can give to banks, doctors or others to show that your death report was in error. This letter is called the Erroneous Death Case - Third Party Contact Notice.† Be sure to request this letter when you visit your SSA office. The Death Master File Cuts Both Ways Just as the SSA can wrongly declare people dead, it can declare then immortal, which poses an expensive problem for all living taxpayers. In May 2016, another SSA inspector general reported that more than 6.5 million Americans aged 112 and older still have active Social Security numbers. Seems strange, considering that a New York resident believed at the time to be the world’s oldest living man at age 112, died in 2013.

Market segmentation and marketing strategy Essay

Market segmentation and marketing strategy - Essay Example Moreover with the contest over whether the UK ought to approve the euro as its fiscal unit still very much on the list of items, the magnetism of discovering plus developing prospects within England, Scotland, and Wales in addition to Northern Ireland is apparent. The UK arts community also benefits from the economic prop up from bodies like that of the Department for Culture, Media and Sport (DCMS), which plays it role in supporting of the music industry within Government. Throughout its associations with industries privileged also the trade associations, the DCMS works all the way through the Secretary of State's Music Industry environment to recognize what the Government can do to perk up its trade and industry performance. Beside this kind of high profile assistance with prospective for expansion, there are quite a few other features that craft the UK as an attractive market for operations. These consist of: Subsequently to a year subjugated by noteworthy development within the R&B, garage plus dance genres all through the 1990s, pop along with rock are presently experiencing an undeniable restoration within the UK in addition to Europe. Prejudiced by the triumph of realism TV series like the Pop Idol also the BBC's Fame Academy, and the increasing passage in celebrity alert newsstand magazines, the UK pop manufacturers are banking in on the improved audience interest with a flood of solo artists and group acts, mainly marketed towards younger listeners. The enormously fashionable "contrived" pop action like the Girls Aloud plus Pop Idol 2002 winner Will Young might not be domestic names inside North America, however have topped the grid in the UK following grave television promotion These years the UK market is conquered by the "Big Five" marketable labels: worldwide, EMI, Warner, Sony/Columbia and BMG, which reciprocally differentiate just about 75% of record sales inside the world market plus 79% of the European market. The remaining 20-25% of sales comes up to from autonomous labels, which for the most division symbolize budding talent exterior to the ordinary. However even going just beneath typical radar discloses loads of artists who have preserved flourishing profiles within the UK for lots of years. The United Kingdom is a beyond doubt multicultural country, and this is imitated within the assortment of performances, venues plus celebrations on proffer both in main cities and minor centers. This eagerness for a variety of genres of music is what creates the UK to be such an imperative country for non conventional artists to stopover and split into. A progressively growing concentration within all

Social Responsibility and Business Ethics Assignment

Social Responsibility and Business Ethics - Assignment Example Being the owner of a manufacturing company which is involved in the business of producing goods and selling it in the market, the primary goal or objective of the company is to earn profits out of the products sold. However, social responsibility and business ethics are two vital tasks which have to be undergone by the company to create a perfect balance between the profit making motive and being a good corporate citizen. Critical analysis of these two aspects has been discussed in this study. CSR can be defined as the means operating a business by an organization which meets or even exceeds the legal, ethical, public and commercial expectations which the society has from the organization. According to the requirements of CSR, every company is needed to have some obligations towards its society and environment at large (Kotler, & Lee, 2008, p.3). CSR serves several purposes. It helps to ensure that the business processes are conducted by the organizations in an ethical way in accordance with the interests of the community. It helps in responding in a positive way towards the emerging priorities in the society. It serves for the purpose of developing willingness amongst the organizations to act beyond the regulatory confrontation. It also helps in maintaining a balance between interests of the shareholders of the company and the wider community. CSR helps in the development of the corporate organizations into good corporate citizens in the society. Social responsibility of the corporate organizations can be considered to have four dimensions. One is the economic perspective which is the responsibility of the organizations to earn profits and generate wealth for the owners of the company. Legal is another aspect of CSR which implies that all the business organizations have the responsibility to act in accordance with the existing laws and are to comply with those laws.  

The 5 Positive Outcomes for Children and Young People Essay Example for Free

The 5 Positive Outcomes for Children and Young People Essay 1. Being healthy this outcome deals with the extent to which providers contribute to the development of healthy lifestyles in children. Evidence will include ways in which providers promote the following: physical, mental, emotional and sexual health; participation in sport and exercise; healthy eating and the drinking of water; the ability to recognise and combat personal stress; having self-esteem; and the avoidance of drug taking including smoking and alcohol. There should also be assessment of the extent to which appropriate support is available for both students and staff to help achieve these positive outcomes. 2. Staying safe this outcome is principally about the extent to which providers contribute to ensuring that ‘children’ stay safe from harm. Evidence includes complying with child protection legislation, undertaking CRB checks, protecting young people and vulnerable adults from bullying, harassment and other forms of maltreatment, discrimination, crime, anti-social behaviour, sexual exploitation, exposure to violence and other dangers. Ensuring that all relevant staff are appropriately trained. 3. Enjoying and achieving this outcome includes attending and enjoying education and training, and the extent to which learners make progress with regard to their learning and their personal development. Evidence to evaluate this includes arrangements to assess and monitor learners’ progress, support learners with poor attendance and behaviour, and meet the needs of potentially underachieving groups. Also relevant will be the extent and effectiveness of the ‘enrichment’ of provision by promoting social, cultural, sporting and recreational activities. Learners’ views about the degree to which they enjoy their ‘learning life’ are taken into account here. 4. Making a positive contribution this outcome includes the development of self-confidence and enterprising behaviour in learners, together with their understanding of rights and responsibilities, and their active participation in community life. Evidence includes measures to ensure understanding of rights and responsibilities, the extent to which learners are consulted about key decisions, and the provision of opportunities for learners to develop and lead provider and community activities. There should also be a focus on enabling young people to develop appropriate independent behaviour and to avoid engaging in antisocial behaviour. 5. Achieving economic well-being this outcome includes the effectiveness of the ways in which the provider prepares learners for the acquisition of the skills and knowledge needed for employment and for economically independent living. Evidence includes arrangements for developing self-confidence, enterprise and teamwork, the provision of good careers advice and training for financial competence, and the accessibility of opportunities for work experience and work-based learning.

Essay examples --

It all started in the summer of 2007 when a crisis hit the U.S., and because of the huge government interventions that were made, the U.S. and most European countries got into a recession. The EU crisis was also caused by big debts made mostly in Spain and Italy, before 2008. The private sectors (companies and mortgage borrowers) who were taking out loans were the main reason for this crisis. There was a decrease in the interests rates in southern European countries when they joined the euro and that resulted and caused the countries to go into a huge debt. This had negative effects on the financial markets, a slowing down of the economic growth in the industrialized countries, and impacted the European labor markets. After the Second World War the unemployment rates in Europe were already low, and with the crisis the percentage of the unemployment rates just increased in the following years. All of this was due to different problems and occurrences that they were facing such as; the two oil price shocks, the decrease in the production growth, the disinflationary policy of many Central Banks, and so on. This recession resulted in very high unemployment, and the increase in unemployment during that period was made by using some internal measures (such as flexible working time arrangements, temporary closures, etc.) but the unemployment was not equally shared between the different groups of people (the largest differences occurred due to the sex, education, age, etc.) but at the end these measures only delayed the process of significant labor unemployment, it didn’t help the situation go back to how it used to be before the crisis. The labor force of a population is involved with the people who are employed and unemployed. The Inte... ... face many problems, the European labor market was affected by this crisis as well, and there were many other problems that were faced during this hard period. The EU’s plans for the future are to minimize the job losses and prevent unemployment, improve job creation, and to recover the economy in a full and stable way. In order for them to make this happen and in order for them to improve and develop the flexibility of the labor market and in order to raise the labor supply, they made some cuts in the income taxes, improved the access to non-standard forms of work, redirected the active labor market policies, and similar activities like these were made. But even though the EU crisis has influenced the European labor market and has created many problems and struggles with unemployment, in the past couple of years they managed to increase the unemployment rate by 2%.

A Book Review On: Nothing To Fear By Adam Cohen

Cohen, an editorial writer at The New York Times, makes extensive use of both primary and secondary sources to unmask the clear, compelling story of how the prevailing circumstances of the nation – together with the attitude of its political leaders – reshaped American society in so brief period of time.Franklin Delano Roosevelt faced extraordinary economic challenges when he assumed the presidency of the United States in March 1933.Nothing to fear reveals by Adam Cohen explains in vivid prose of the decisive first 100 days of Franklin delevaro Roosevelt in office at the worst moments of America which coincidentally was the era of great depression. A remarkable, timely and informative blue print for political firststarts, it shows how 5 inner-circle liberals jumpstarted those remarkably historic first 100 days of Roosevelt in office.He and the inner circle members initiated the new deal and launched the delivery of modern America. The book is simply the evaluation of th e watershed in the modern America and it is a reality of the pivotal days in modern America; the crisis-ridden first 100 days of FDR in office .FDR and the inner circle wiped the old order and replaced it with new order i.e. the government acceptance and execution of her responsibilities.At this time in history, , there was 85% drop in stock market,25% of Americans had lost their jobs and banks had gone on holidays to prevent further crises ,farmers were openly angry and hungry men and women were eaten from refuse and garbages.40% of Americans at this point were living on agriculture and   farm income had decreased by 40%.Those who had jobs   were struggling for sustainace on their wages.Those who picked cotton in Arizona were reportedly collecting 30 cents after a week’s job excluding the food and housing payment. The period also witnessed close to 90% of school children being underweight while another percentage being malnourished.Radicalism and â€Å"hunger matchesâ⠂¬  by the jobless were on the increase both in the urban and the sacred rural American farm belt.Rooselvelt on assuming office charted a different pathway from that of his predecessor-Herbert Hoover. Hoover had turned deaf ears to the hues and cries of Americans.His approach was an absolute privatization of all sectors of the economy with no favor to the poor .His wickedness was later revenged by Americans when they made epithet of his name. Hoover lost the 1932 election to Roosevelt and managed to win only 6 states.In his introduction, Cohen tactically gave a summary of the first Hundred Days:While the public story line of the Hundred Days was about how Roosevelt, through his eloquent public statements and legislative initiatives rallied a desperate nation, behind the scenes his advisers were battling over what shape the New Deal would take. Perkins, Wallace, and Hopkins worked with members of Congress, farm leaders, union officials, and other progressives to promote their agenda .Douglas worked with business leaders and other conservatives to pull Roosevelt in the opposite direction. In the first month of the Hundred Days, through the passage of the Economy Act, Douglas’s side prevailed. For the rest of the Hundred Days, Perkins’s side did. While Douglas won the early battles, Perkins, Wallace, and Hopkins won the war.America According to Cohen in the early part of the book, there is a gradual metamorphosis of the great depression into a real and full blown financial and social collapse .After these 100days, FDR had reached a full blown acceptance of responsibilities to the needs and warfare of Americans.He worked with the 5 members of the inner circle to bring transformation to America. He relied on their pieces of advice and preferred if it is conflicting so as to be able to choose the best.   On assuming office, FDR came with few plans to combat the great depression. The inner circle encouraged FDR to embrace activist agendas.FDR was a fi scal conservative as well as a pragmatic politician .For this, he had close relationship with Frances Perkin and Lewis Douglas who were advocate of social warfare programs and cutter of budget respectively. In most cases, Douglas was at odds with other FDR’s members .FDR being not ideological, preferred varieties and a policy that is â€Å"bold, persistent experimental.† He featured in the most feverish and agitated period of America history that brings about the modern America.Nothing to fear is an attention holding, fascinating account of the personal dynamics that realign the catastrophic early period of FDR’s relationship and a character X-ray of one of America’s distinctive leaders in a period of crises. However, Cohen points us to the political blunders of this period over warfare situation, government laws, agricultural policy, and according to him they are still with us till today.

Film Analysis – Blade Runner

MAC 170: INTRODUCTION TO FILM STUDIES ASSIGNMENT ONE – FILM ANALYSIS FILM CHOSEN: Blade Runner (1982) EXTRACT: INT – Sebastian’s Building, starting with the shot of Deckard climbing up the wall. Duration: 9 minutes (Chapter 30, Blade Runner: The Final Cut, 2007) The following essay will be a close analysis of an extract from the 1982 film Blade Runner, which was directed by Ridley Scott. Blade Runner is a science-fiction film based on the book ‘Do Androids Dream of Electric Sheep’ which was written by Phillip K. Dick.This essay will also explore how Ridley Scott’s use of mise en scene and editing in Blade Runner can exhibit him as an auteur. An ‘auteur’ is known as the ‘author’ of the film; a director that uses recognisable and similar traits and themes throughout a number of their films. The ‘auteur’ was created through the ‘auteur’ theory, which argues that the director is the most importan t person behind making a film. It was first established by an establishment of film makers in 1950’s Paris. Some of these film makers were Francois Trauffaut, Jean Luc-Goddard and Jacques Rivette.They were angered by a critical establishment in France that lauded a film’s fidelity to a screenplay or novel and regarded the film director as merely a translator of material from the verbal medium to the cinematic. For this view Trauffaut and company substituted a notion of personal cinema – a cinema in which the director, not the screenwriter, could be seen as the controlling force behind the film. (Allen & Gomery, 1985: 71-72) This quote explains how the auteur theory was established, and how Trauffaut created la politique des auteurs, which is a policy in which the director is the main creative force when making a film.Ridley Scott can be classed as an auteur for his repeated use of strong female characters, which are present both in Blade Runner, Alien (1979) and Thelma & Louise (1991), the future and the unknown, and the ‘created’ human. This essay will explore these points using the close analysis of Blade Runner, whilst also comparing Blade Runner to Alien. Ridley Scott can be classed as an auteur for his use of setting in his films; he tends to create a post-apocalyptic setting, mainly set in the ot-so-distant future. This can be seen in the extract of Blade Runner, from the wide angle, long shot of Deckard on the roof. The tall buildings, which are close together, help to connote an industrialised city, and the lack of organic matter helps to show the futuristic world as very bleak, old and dirty. The use of space surrounding Deckard when he is hanging from the roof help to establish that the city lacks people and is very de-humanised and an almost dystopia, which is very similar to Alien.Alien and Blade Runner warn us against a capitalist future gone wrong, where such feelings and bonds are so severely truncated that a qu ite literal dehumanization has become perhaps the gravest danger. (Byers, 1990: 39) This dehumanization feature which Ridley Scott has placed into both Blade Runner and Alien gives both films a sense of fear to the audience when both films were first released, that the possibility of the earth being dehumanized is quite great.The shot of Deckard hanging from the roof also shows how high the building is, with the audience barely being able to see the floor, which helps to connote a sense of uncertainty from the audience, as they are unsure as to whether or not Deckard will fall. The use of rain in this scene is very powerful, as it makes the scene feel very depressive, creating a bleak aspect to the film whilst also creating a ‘bad feeling’ for the audience, as it connotes to the audience that something bad is going to happen.This helps to establish a bleak, industrialised future, a one in which there are little humans on earth in Blade Runner, similar to Alien which can help to describe Ridley Scott as an auteur. Ridley Scott can also be defined as an auteur for his use of strong and determined protagonists, especially in Blade Runner and Alien. In this scene extract, Deckard can be seen as a strong protagonist due to his determination to ‘retire’ Roy. This scene however, also shows the audience the similarities between Roy and Deckard.The cross cutting editing used at the start of the scene when both characters are dealing with their similar hand injuries helps to show the similarity between Roy and Deckard as they are both dealing with the same sort of pain. Deckard in this scene seems very determined to retire Roy, however when Roy does die, the audience seem to get the feeling that Deckard seems sad about this. The editing in this extract is quite slow at first, using long shots before cutting helping to create a slow pace to the scene.The extract then changes pace however, when Roy is ‘hunting’ Deckard, the editing b ecomes quite fast and rapid making it exciting for the audience to watch. The shot when Roy smashes his head through the wall helps to show the slow pace turning fast. The way the editing is quite slow and then there is a jolt – the point where Roy smashes his head through the wall – the editing then speeds up a little after this shot, until Roy’s death where the editing slows down rapidly, using slow-motion to evoke sadness from the audience.The Roy smashes his head through the wall helps to show a sense of power from Roy, which creates a sense of danger toward Deckard from the audience, making them feel like he is not safe. There are a lot of cross-cuts between Roy and Deckard, which helps the audience to see the similarities between the two characters, almost hinting that Deckard could be a replicants too. The fading between the dead Roy and Deckard, and the use of close ups on Deckard’s sad face makes the audience feel quite sad too.In this scene we l earn that Roy just wanted to live and not be a ‘slave’ which creates empathy from the audience. The significance of the dove which is released when Roy dies connotes that the bird was almost a representation of Roy – and the shot of the bird flying away is a symbol of Roy finally being ‘free’ which leaves the audience feeling sad and almost regretful that they saw Roy as the villain, especially when we see him jumping in and out of the shadows at the beginning of the scene, as if this was almost a game to him.In this scene, Roy can be seen as the anti-hero. The use of lighting surrounding Roy when he has died makes him appear almost god-like, signifying him as powerful, which he has been throughout this scene. The long shot of Roy and Deckard, when Roy has just pulled the dangling Deckard from the roof to safety signifying that Roy can be seen as an anti-hero, connotes that Roy has more power over Deckard. The way Deckard is lying on the floor at Roy ’s feet shows Deckard in a submissive way, that human’s are powerless against replicants.The close up, low angle on Roy’s face after this, makes the audience feel quite scared of Roy. His eyes are big, almost ‘crazy’ and the way Pris’ blood is running down his face make the audience feel scared of Roy. Ridley Scott’s lack of lighting in this extract can help to identify Ridley Scott as an auteur, as he also uses a lack of lighting in Alien. The shot of Roy behind the barbed wire, almost signifying a caged animal which replicants have shown similarities to throughout the film, creates a sense of fear and uncertainty for the audience.The way the light is shining behind him creating a lot of shadows, makes Roy seem a little mysterious as the audience are uncertain as to what is going to happen next. The way the lighting throughout the extract creates a lot of shadows, making the extract feel bleak and dark, creating almost a Film Noir fee l to the film, creates a bleak, and dark feel for the audience. Throughout the extract, the only lighting we see is artificial, as the only light comes from lamps, bright lights from a ‘Spinner’ advertising the new world or bright neon billboard’s which helps to give the film an artificial and futuristic tone.Ridley Scott’s use of dark colours in this scene, such as grey, black and blue, creates a sinister feel to the scene making the audience know something bad is going to happen. This is similar to Alien, as all the lighting in that film is artificial too, coming from the lights from the ship, and the 1984 Mac advert which Ridley Scott directed, can define him as an auteur. The way Ridley Scott continually uses similar features and themes among his films helps to exhibit him as an auteur.Blade Runner and Alien are very similar in terms of editing and mise en scene, the use of this in Blade Runner helps to establish Ridley Scott as an auteur as he uses th ese themes and effects in many more of his films. Word Count: 1505/1602 Bibliography Allen, R. C. & Gomery, D. (1985) Film History: Theory and Practice, McGraw Hill Byers, Thomas B. (1990) ‘Commodity Futures’ in Kuhn, A. (ed. ) Alien Zone, Cultural Theory and Contemporary Science Fiction Cinema, London: Verso. Caughie, J. (ed. ) (1981) Theories of Authorship, London: Routledge Nelmes, J. (ed. ) (2003) Introduction to Film Studies, London: Routledge

Will The Rhine model of capitalism be the preferred capitali essays

Will The Rhine model of capitalism be the preferred capitali essays Peter Ludlow, Director of the Center for European Policy Studies once said We are all Germans.... The whole EEC is obtaining German virtue- low inflation, a strong currency and a good mix of growth and social welfare (Hampden-Turner and Trompenaars 201). Although the European Union has changed since Ludlow spoke about the European adoption of the German social economic system, Germany remains to be the most important aspect of the European Union. After the Second World War that ruined the European economies, the Rhine model had reign over Europe. Although they had strong control, the Rhine model is now struggling and is losing grip on the European economy. On the other hand, the Anglo-Saxon model of capitalism is catching up and is ahead in areas such as shareholder value and corporate governance, not to mention information technology (Hunt). Nowadays the European Union is split up in two segments of both Rhine model and Anglo-Saxon capitalism, but eventually the Rhine model will be accepted as the preferred capitalistic system in the European Union over the Anglo-Saxon model. The other major capitalistic system is the Anglo-Saxon that has its roots in the British economy. In both the United States and the United Kingdom Anglo-Saxon capitalism, which is also known in the United States as the Anglo-American model, is the leading form of capitalism. Madsen Pirie argues that the Anglo-Saxon model capitalism is based on two basic philosophical principles. The first is the adversarial principle. It basically means that there is a competitive market. Pirie states the market is a battlefield in which ritualized combat takes place. There is a constant battle for supremacy in the market, where everyone is on their own. The second principle is the evolutionary principle. In addition, the theory says that change is not best accomplished by sudden and violent disruptions which overthrow the status quo...

The Simple Guide to Effectively Describing The Setting of Your Story

The Simple Guide to Effectively Describing The Setting of Your Story How to Describe the Setting of a Story Need help writing your novel?Click here to download my ultimate 12-step guide. One of the toughest nuts for any novelist to crack is where to start. How do I know? Well, two-thirds of my 192 published books are novels, so I’ve faced this dilemma nearly 130 times. Trust me, it doesn’t get easier. But there are common errors to avoid. I know because I’ve made them. And because I love asking agents and editors what mistakes they see in beginners’ manuscripts. Ready for the most common error? The apparent feeling that you must start by describing the setting of your story. Setting is important; don’t get me wrong. But we’ve all been sent napping by novels whose covers and titles promise to transport us, and yet begin with some variation of: The house sat in a deep wood surrounded by†¦ Gag. Pro tip: Readers have little patience for description. In fact, they often skip it to get to the action. If your main question is how to describe the setting, I have a simple answer: Don’t. But, you say, I have to establish where we are and set the scene, don’t I? Yes. Like any other reader, I like to get an immediate feel for where and when things take place. But we writers make a mistake when we make that- describing the setting- a separate element. If you do it at the beginning, you should do it for every scene in a different setting, right? Sorry, but that will quickly transport your reader from slumber to death. Well, you say, how do I set the scene without describing it? You don’t. But you make description part of the narrative, part of the story. It will become almost invisible, because mentions of what things look and feel and sound like will register in the theater of the readers’ minds, but they will be concentrating on the action, the dialogue, the tension and drama and conflict that keep them turning the pages. In the end they won’t remember how you worked in everything they needed to fully enjoy the experience. Consider these setting examples: Describing the setting of a story before starting the action: London in the 1860s was a cold, damp, foggy city crisscrossed with cobblestone streets and pedestrians carefully dodging the droppings of steeds that pulled all manner of public conveyance. One such pedestrian was Lucy Knight, a beautiful, young, unattached woman in a hurry to get to Piccadilly Circus. An eligible bachelor had asked her to meet him there†¦ I shouldn’t have to inform you that such an opening is all telling, no showing, and that the question of how to describe the setting has been answered, but not correctly. Describing the setting by layering it in tothe story: London’s West End, 1862 Lucy Knight mince-stepped around clumps of horse dung as she hurried toward Regent Street. Must not be late, she told herself. What would he think? She carefully navigated the cobblestones as she crossed to hail a Hansom Cab- which she preferred for its low center of gravity and smooth turning. Lucy did not want to appear as if she’s been tossed about in a carriage, especially tonight. â€Å"Not wearin’ a ring, I see,† the driver said as she boarded. â€Å"I beg your pardon?† â€Å"Nice lookin’ lady like yourself out alone after dark in the cold fog†¦Ã¢â‚¬  â€Å"You needn’t worry about me, sir. I’m only going to the circus.† â€Å"Piccadilly it is, Ma’am.† First, the location tag, flush left before the first paragraph, saves us a lot of narration which can be used to let the story emerge. And yes, the second sample is longer, but that’s because we’re not telling, we’re showing. The reader learns everything about the character from the action and dialogue, rather than from just being told through description. So try the technique you’ve likely heard about since the day you decided to study writing: Show, Don’t Tell You’ll have to remind yourself of this daily for the rest of your life, but once you add it to your writing toolbelt, you’ll find it adds power to your prose and keeps your reader’s interest. The key, as you can see from the examples above, is to layer in your description. Maybe when Lucy meets her new gentleman friend, he grabs her and pulls her into an alley, saying, â€Å"Come here where no one will see us.† There she might scrape her knuckles against a brick wall and wish both hands were free so she could tighten her coat against the wind. Incorporating description that way- showing rather than telling- can alone revolutionize your novel. Apply This Setting Technique Immediately and see how it picks up the pace and adds power. It will force you to highlight only the most important details, triggering the theater of your reader’s mind. If it’s not important enough to become part of the action, your reader won’t miss it anyway. But you’ve read classic novelists who use description exactly the way I’m advising against. What gives? Two things: 1- If those novels were written before TV and movies (let alone smart phones), they were aimed at audiences who loved to take the time to settle in with a book for days at a time. 2- If those novels were written in our generation and still succeeded with that kind of writing, it’s because the author is a master. If you can write at that level, you can break all the rules you want. I can’t, so I’ll stick with what works for today’s readers. How about you? Need help writing your novel?Click here to download my ultimate 12-step guide. Still confused about how to describe the setting of a story? Give me examples from your own work in the comments below.

Business Management And Leadership - Planning (U2IP) PowerPoint Presentation

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